Inhabiting Two Worlds
Queensland artist Simone Linssen makes anxiety, loneliness and loss of identity the subjects of her artwork. In a painterly style, her works are an honest account of experiences associated with these conditions. Two of Simone"s paintings from her Entropy series, Resisting Entropy (2016) and Stillness in Disorder (2016), exemplify her overall practice. #art #artist #contemporaryart #contemporaryartawards #painting @contemporaryartawards
Venue: Contemporary Art Awards
Address: Brisbane, Australia
Web: https://www.contemporaryartawards.com/art-reviews
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EMail: contemporaryartawards@gmail.com
Call: 61407739871
Address: Brisbane, Australia
Web: https://www.contemporaryartawards.com/art-reviews
: www.facebook.com/contemporaryartawards
EMail: contemporaryartawards@gmail.com
Call: 61407739871
By Annette Ong
Queensland artist Simone Linssen makes anxiety, loneliness and loss of identity the subjects of her artwork. In a painterly style, her works are an honest account of experiences associated with these conditions. Two of Simone"s paintings from her Entropy series, Resisting Entropy (2016) and Stillness in Disorder (2016), exemplify her overall practice.Resisting Entropy has a single subject - a woman submerged in water with her eyes raised in supplication. Her flowing hair glows incandescently with colour. The palette is bold, with striking deep reds against the subject"s peach-toned skin. Her face and shoulders are lit from above while darkness surrounds her.
Stillness in Disorder also features a woman. She lies half-submerged in what could be viewed as a puddle of water, while others walk in the background seemingly unaware of her presence. The palette of blues creates a sombre atmosphere while the reds and yellows generate a heightened awareness.
Both Resisting Entropy and Stillness in Disorder feature a submersion - a falling or sinking of self - through which the works comment on the overwhelming feeling anxiety provokes. This is particularly evident in Stillness in Disorder, where the world goes on around the subject. People are passing as the woman is shown to be slipping into a private place. The demarcation of private and public spaces is a strong feature of Simone"s work, suggesting that those with mental health issues typically inhabit two worlds; appearing to function on the outside, while, within, a private battle ensues.
Simone"s paintings are bold, visceral works; they encourage contemplation, not complacency. Her brushstrokes and vivid use of colour add texture and vibrancy, striking at the heart of the message. The Entropy paintings trigger a response from the viewer. By offering a glimpse into the inner world of anxiety and loneliness, these emotive works provide a visual interpretation of the experiences of those who live with mental health issues.
Simone"s work invites the viewer to consider those suffering from mental health issues and how they navigate and relate to the world. Explaining what anxiety feels like, to those who have never had the experience, is incredibly difficult; at its worst, anxiety is highly debilitating and affects the individual both mentally and physically. Through her paintings, Simone has successfully offered a filter through which to view her subjects with empathy and compassion. Her work encourages an open dialogue with the viewer about the challenges of anxiety and other mental health conditions.
Simone Linssen has a Bachelor of Fine Art from the Queensland College of Art and works as an artist and gallery manager in Brisbane. Her work has been widely exhibited in both solo and group shows and she has been a finalist in numerous art awards, including Contemporary Art Awards 2017, 2016 and 2015, the Moreton Bay Art Awards 2015, Agendo Art Exhibition 2015 and the Milburn Art Prize 2015.