Two musical friends get together to create Two The Marais Project's Livestream 25 March on Melbourne Digital Concert Hall Plus Companion Recording Release April 2021
One of Australia's most colourful early music ensembles goes live online - Australia- and world-wide - later this month when The Marais Project performs on the Melbourne Digital Concert Hall platform. And the release of an exquisite recording follows hot on its tail in April!
Venue: Melbourne Digital Concert Hall
Address: http://melbournedigitalconcerthall.com/
Date: 3/25/2021
Time: 8.30pm
Ticket: $24
Buy / Ticket: http://tinyurl.com/yz4cz4m7
Web: http://tinyurl.com/yz4cz4m7
: https://www.facebook.com/events/1815096318654531
Address: http://melbournedigitalconcerthall.com/
Date: 3/25/2021
Time: 8.30pm
Ticket: $24
Buy / Ticket: http://tinyurl.com/yz4cz4m7
Web: http://tinyurl.com/yz4cz4m7
: https://www.facebook.com/events/1815096318654531
Two was originally conceived as the centrepiece of The Marais Project's 2020 concert series.
As with so many artistic events, Covid-19 meant the cancellation of scheduled performances.
Not wanting to abandon the concept altogether, artistic director Jenny Eriksson took the group into the studio to record the project then make a high quality 50-minute film for broadcast.
Two brings together the nationally renowned talents of Marais Project founding members Jennifer Eriksson, viola da gamba, and Tommie Andersson on gallichon, theorbo and baroque guitar.
In an usual performance practise, each plays alternate brackets of solos on their respective instruments before a joint performance of a splendid Marin Marais suite for viola da gamba and continuo. Guest artist Susie Bishop (voice and violin) joins them for a gorgeous finale. The performers wanted to create the feel of a live performance in the way the music flows and the performers interact “ both on video and in the resulting recording. The theorbo and the baroque guitar have a wonderful solo repertoire spanning hundreds of years, Jenny Eriksson says. Tommie also made several gallichon arrangements for this recording including a truly lovely Mozart Adagio originally composed for the glass harmonica. Tommie dedicates his recording this piece to the memory of recently deceased Swedish soprano, Eva Nässén.
The viola da gamba is also endowed with a rich treasure of solo works. For the first time in her career, Eriksson has performed and now recorded some of her favourite solo pieces, including the world premiere of a work written for her by Australian composer, Paul Cutlan. Paul and I have known each other for many years and I deeply respect his musicianship. Sarabande is an arrangement of a movement of a popular suite he wrote for viola da gamba and harpsichord. It is a privilege to bring this music to life for the first time.
As might be expected, pride of place in both film and recording goes to that giant of the viola da gamba, Marin Marais. We have explored so many of his suites over the years and there is always a sense of achievement in committing another of the great man's works to record, says Eriksson. Tommie and I know each other and the music so well. The joy of playing Marais just flows from us!'
The Marais Project performs Two' on Melbourne Digital Concert Hall
25 March 8.30pm | Tickets $24
Bookings: http://melbournedigitalconcerthall.com or http://tinyurl.com/yz4cz4m7
PLUS: April 2021, Two' released on MOVE Records.
Available from MOVE Records, Buywell Music, iTunes, Apple Music & streaming platforms including Spotify
Two brings together the nationally renowned talents of Marais Project founding members Jennifer Eriksson, viola da gamba, and Tommie Andersson on gallichon, theorbo and baroque guitar.
In an usual performance practise, each plays alternate brackets of solos on their respective instruments before a joint performance of a splendid Marin Marais suite for viola da gamba and continuo. Guest artist Susie Bishop (voice and violin) joins them for a gorgeous finale. The performers wanted to create the feel of a live performance in the way the music flows and the performers interact “ both on video and in the resulting recording. The theorbo and the baroque guitar have a wonderful solo repertoire spanning hundreds of years, Jenny Eriksson says. Tommie also made several gallichon arrangements for this recording including a truly lovely Mozart Adagio originally composed for the glass harmonica. Tommie dedicates his recording this piece to the memory of recently deceased Swedish soprano, Eva Nässén.
The viola da gamba is also endowed with a rich treasure of solo works. For the first time in her career, Eriksson has performed and now recorded some of her favourite solo pieces, including the world premiere of a work written for her by Australian composer, Paul Cutlan. Paul and I have known each other for many years and I deeply respect his musicianship. Sarabande is an arrangement of a movement of a popular suite he wrote for viola da gamba and harpsichord. It is a privilege to bring this music to life for the first time.
As might be expected, pride of place in both film and recording goes to that giant of the viola da gamba, Marin Marais. We have explored so many of his suites over the years and there is always a sense of achievement in committing another of the great man's works to record, says Eriksson. Tommie and I know each other and the music so well. The joy of playing Marais just flows from us!'
The Marais Project performs Two' on Melbourne Digital Concert Hall
25 March 8.30pm | Tickets $24
Bookings: http://melbournedigitalconcerthall.com or http://tinyurl.com/yz4cz4m7
PLUS: April 2021, Two' released on MOVE Records.
Available from MOVE Records, Buywell Music, iTunes, Apple Music & streaming platforms including Spotify